| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
По разделу |
240285 | 1142 |
54 |
112 |
110 |
94 |
146 |
94 |
93 |
89 |
79 |
79 |
80 |
112 |
0 |
3 |
4 |
3 |
4 |
3 |
3 |
4 |
4 |
4 |
4 |
3 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
5 |
5 |
5 |
5 |
3 |
4 |
3 |
3 |
5 |
5 |
4 |
5 |
3 |
3 |
3 |
4 |
3 |
5 |
3 |
3 |
4 |
3 |
3 |
4 |
3 |
4 |
3 |
2 |
2 |
4 |
6 |
5 |
2 |
4 |
4 |
5 |
2 |
4 |
2 |
5 |
4 |
3 |
3 |
Критические заметки |
6826 | 620 |
33 |
62 |
60 |
53 |
124 |
34 |
38 |
32 |
43 |
45 |
47 |
49 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
3 |
2 |
4 |
4 |
1 |
3 |
1 |
2 |
2 |
1 |
3 |
1 |
5 |
2 |
2 |
3 |
2 |
1 |
2 |
2 |
3 |
5 |
2 |
2 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
3 |
1 |
3 |
2 |
2 |
2 |
4 |
1 |
2 |
2 |
2 |
1 |
Текущие заметки |
5889 | 518 |
11 |
53 |
59 |
47 |
55 |
29 |
32 |
31 |
44 |
52 |
56 |
49 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
4 |
3 |
1 |
2 |
1 |
1 |
4 |
3 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
5 |
4 |
1 |
3 |
2 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
3 |
Г. Ив. Успенский в воспоминаниях В. Г. Короленко |
4202 | 448 |
29 |
60 |
56 |
55 |
65 |
52 |
42 |
29 |
8 |
18 |
14 |
20 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
4 |
4 |
3 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
2 |
2 |
2 |
4 |
1 |
1 |
Три рассказа Ан. Чехова: "Случай из практики", "Новая дача", "По делам службы" |
4290 | 444 |
12 |
53 |
61 |
45 |
54 |
19 |
19 |
22 |
38 |
41 |
41 |
39 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
1 |
3 |
1 |
4 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
5 |
2 |
1 |
2 |
3 |
2 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
Критические заметки |
797 | 424 |
21 |
59 |
64 |
46 |
51 |
48 |
30 |
24 |
13 |
23 |
22 |
23 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
1 |
3 |
3 |
2 |
3 |
3 |
1 |
1 |
3 |
2 |
1 |
2 |
5 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
5 |
2 |
1 |
2 |
3 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
1 |
"Воскресение", роман Л. Толстого |
6189 | 416 |
30 |
60 |
62 |
52 |
55 |
39 |
23 |
20 |
21 |
15 |
16 |
23 |
0 |
1 |
2 |
1 |
4 |
1 |
3 |
3 |
1 |
4 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
3 |
2 |
1 |
4 |
1 |
1 |
5 |
1 |
1 |
4 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
3 |
3 |
1 |
2 |
2 |
4 |
3 |
2 |
1 |
Философия приволья.- "Очерки и рассказы" Максима Горького |
5799 | 403 |
31 |
60 |
54 |
49 |
55 |
44 |
22 |
21 |
17 |
17 |
14 |
19 |
0 |
2 |
4 |
1 |
1 |
2 |
2 |
4 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
4 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
2 |
5 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
1 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
Критические заметки |
968 | 402 |
23 |
54 |
54 |
46 |
52 |
50 |
36 |
18 |
12 |
16 |
19 |
22 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
3 |
2 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
3 |
3 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
Эпигоны народничества:- Г. Меньшиков, самый яркий представитель их.- Народник старого типа:- Н. Е. Петропавловский-Каронин |
4378 | 399 |
17 |
51 |
56 |
52 |
57 |
54 |
34 |
18 |
12 |
16 |
17 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
3 |
3 |
1 |
3 |
2 |
2 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
3 |
Критические заметки |
7534 | 377 |
28 |
57 |
66 |
48 |
61 |
20 |
18 |
13 |
20 |
12 |
14 |
20 |
0 |
1 |
2 |
3 |
2 |
1 |
3 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
1 |
3 |
2 |
2 |
1 |
2 |
5 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
5 |
3 |
1 |
4 |
2 |
2 |
2 |
3 |
1 |
4 |
3 |
3 |
3 |
Письма из деревни А. Н. Энгельгардта |
5527 | 365 |
28 |
56 |
57 |
51 |
52 |
36 |
17 |
14 |
9 |
14 |
17 |
14 |
0 |
2 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
5 |
2 |
3 |
4 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
3 |
3 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
4 |
2 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
Лесков - писатель-анекдотист |
6058 | 364 |
12 |
45 |
54 |
43 |
51 |
47 |
25 |
18 |
12 |
19 |
18 |
20 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
5 |
5 |
1 |
1 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
Берне.- Близость его к нашей современности.- Полное собрание сочинений Ибсена |
4534 | 363 |
17 |
49 |
49 |
45 |
48 |
44 |
24 |
20 |
17 |
13 |
19 |
18 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
2 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
5 |
1 |
1 |
1 |
Воскресшая книга.- "Знамение времени" г. Мордовцева |
4149 | 356 |
19 |
55 |
50 |
39 |
48 |
47 |
24 |
21 |
7 |
14 |
13 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
4 |
5 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
Памяти В. Г. Белинского |
4265 | 355 |
27 |
52 |
57 |
47 |
57 |
33 |
20 |
14 |
10 |
10 |
13 |
15 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
2 |
3 |
4 |
1 |
2 |
3 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
"Рассказы" г. Арцыбашева |
4304 | 355 |
24 |
54 |
47 |
45 |
52 |
32 |
20 |
20 |
12 |
14 |
15 |
20 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
3 |
1 |
4 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
"Мужики" г. Чехова. - "В голодный год Вл. Короленко". |
4424 | 342 |
17 |
50 |
48 |
43 |
52 |
42 |
22 |
18 |
7 |
12 |
13 |
18 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
3 |
2 |
2 |
5 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
Исторические драмы Ибсена |
5114 | 339 |
21 |
48 |
52 |
43 |
50 |
45 |
21 |
15 |
6 |
12 |
12 |
14 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
5 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
Юродствующая литература: "О любви", М. О. Меньшикова; "Сумерки просвещения", В. В. Розанова |
5198 | 336 |
20 |
43 |
45 |
44 |
52 |
44 |
19 |
16 |
9 |
17 |
12 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
Момент перелома в художественном отражении.- "Без дороги" и "Поветрие", рассказы Вересаева |
4356 | 334 |
21 |
54 |
47 |
33 |
41 |
43 |
26 |
15 |
8 |
18 |
8 |
20 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
3 |
3 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
Последние произведения г. Чехова: "Человек в футляре", "Крыжовник", "Любовь" |
5039 | 329 |
25 |
44 |
47 |
40 |
52 |
13 |
21 |
15 |
19 |
24 |
13 |
16 |
0 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
Н. Н. Златовратский |
4331 | 326 |
29 |
32 |
51 |
47 |
56 |
29 |
23 |
16 |
9 |
10 |
13 |
11 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
4 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
1 |
Богданович А. И.: биобиблиографическая справка |
5600 | 323 |
26 |
46 |
48 |
44 |
57 |
15 |
20 |
19 |
13 |
10 |
12 |
13 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
2 |
3 |
3 |
1 |
1 |
3 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
Никитенко как представитель обывательской философии приспособляемости |
4086 | 321 |
11 |
42 |
46 |
45 |
51 |
35 |
20 |
19 |
11 |
17 |
10 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
Последние дни Помпеи. Роман Эдварда Бульвера. Перев. Съ английского Л. Гей |
1125 | 303 |
7 |
42 |
46 |
44 |
47 |
33 |
17 |
15 |
10 |
12 |
12 |
18 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
5 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
6 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
Памяти Н. В. Водовозова |
3700 | 298 |
6 |
41 |
48 |
43 |
48 |
34 |
16 |
14 |
11 |
8 |
15 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
6 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
Богданович А. И.: биографическая справка |
4515 | 296 |
9 |
47 |
49 |
41 |
49 |
11 |
24 |
15 |
13 |
12 |
12 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
Критические заметки |
936 | 294 |
27 |
48 |
54 |
35 |
14 |
11 |
21 |
20 |
19 |
8 |
18 |
19 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
4 |
3 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
4 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
3 |
"Очерки и рассказы" Вл. Короленко, т. 3. |
4976 | 292 |
15 |
29 |
28 |
18 |
28 |
54 |
48 |
18 |
9 |
15 |
11 |
19 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
А. П. Чехов - талант мертвой полосы |
4461 | 290 |
12 |
44 |
46 |
41 |
55 |
12 |
19 |
16 |
10 |
10 |
13 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
4 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
Московский художественный театр |
4268 | 270 |
12 |
19 |
29 |
36 |
41 |
45 |
25 |
17 |
8 |
11 |
13 |
14 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
Французский "пролетарий" и русский общинник |
3483 | 267 |
4 |
43 |
45 |
44 |
48 |
10 |
16 |
19 |
6 |
14 |
9 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
Страничка из истории реакционной прессы |
3243 | 265 |
5 |
45 |
41 |
42 |
50 |
11 |
16 |
13 |
9 |
11 |
10 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
5 |
1 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
Великая годовщина - пятидесятилетия смерти Гоголя |
3102 | 264 |
5 |
42 |
46 |
40 |
49 |
13 |
14 |
14 |
7 |
12 |
8 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
"Ганиеле" Гауптмана и "Притчи" Л. Н. Толстого |
5772 | 226 |
11 |
17 |
21 |
19 |
20 |
14 |
22 |
25 |
24 |
14 |
16 |
23 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
Критические заметки |
226 | 226 |
7 |
22 |
15 |
18 |
14 |
11 |
22 |
15 |
12 |
12 |
11 |
67 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
Критические заметки |
272 | 225 |
8 |
19 |
22 |
18 |
16 |
15 |
26 |
23 |
19 |
13 |
17 |
29 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
О г. Куприне и других молодых беллетристах.- Еще о г. Короленке |
5061 | 223 |
9 |
22 |
22 |
18 |
24 |
12 |
26 |
18 |
13 |
20 |
15 |
24 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Критические заметки |
1279 | 212 |
16 |
15 |
21 |
17 |
14 |
13 |
27 |
20 |
12 |
21 |
14 |
22 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
Граф Толстой об искусстве и науке |
5664 | 211 |
11 |
16 |
23 |
16 |
22 |
15 |
21 |
19 |
19 |
13 |
14 |
22 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
Критические заметки |
1048 | 209 |
9 |
16 |
24 |
18 |
15 |
16 |
22 |
23 |
15 |
11 |
12 |
28 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
Критические заметки |
1239 | 204 |
9 |
21 |
23 |
16 |
14 |
12 |
22 |
17 |
18 |
16 |
13 |
23 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
Критические заметки |
393 | 197 |
12 |
15 |
17 |
19 |
14 |
12 |
18 |
18 |
20 |
16 |
17 |
19 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
"Спирька" г. Елпатьевскаго.- Народническая схема капитализма.- Неверное и устарелое освещение вопроса в рассказе г. Елпатьевского.- Образчики народнической критики |
4150 | 192 |
8 |
22 |
23 |
11 |
17 |
13 |
22 |
17 |
13 |
15 |
17 |
14 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
Критические заметки |
553 | 190 |
12 |
15 |
15 |
15 |
13 |
8 |
15 |
22 |
25 |
16 |
11 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
"В Тумане" Андреева и "Одна за многих" |
4359 | 188 |
7 |
21 |
21 |
15 |
19 |
8 |
25 |
18 |
8 |
12 |
13 |
21 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
Типы Гоголя в современной обстановке. - "Служащий", рассказ г. Елпатьевского |
4662 | 180 |
6 |
17 |
20 |
13 |
16 |
8 |
20 |
20 |
14 |
15 |
11 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
Критические заметки |
1417 | 180 |
11 |
19 |
17 |
13 |
15 |
12 |
21 |
15 |
8 |
18 |
13 |
18 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
"Полное собрание сочинений П. И. Мельникова" |
5106 | 179 |
7 |
18 |
19 |
14 |
16 |
9 |
26 |
12 |
13 |
13 |
14 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
Критические заметки |
731 | 177 |
8 |
18 |
22 |
15 |
16 |
10 |
22 |
12 |
12 |
14 |
11 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
Критические заметки |
291 | 177 |
8 |
23 |
17 |
11 |
10 |
11 |
16 |
18 |
9 |
13 |
12 |
29 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
"Сочинения Н. А. Добролюбова".- Н. В. Шелгунов в "Очерках русской жизни".- "Современные течения" в характеристике г. Южакова |
4505 | 176 |
9 |
16 |
20 |
10 |
18 |
10 |
19 |
21 |
13 |
11 |
13 |
16 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
"В мире отверженных" г. Мельшина |
4326 | 175 |
7 |
18 |
17 |
16 |
16 |
10 |
21 |
17 |
11 |
12 |
14 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
Критические заметки |
449 | 174 |
8 |
14 |
24 |
16 |
18 |
4 |
24 |
18 |
8 |
10 |
14 |
16 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
Адам Мицкевич |
184 | 173 |
10 |
18 |
15 |
13 |
14 |
9 |
23 |
10 |
6 |
8 |
12 |
35 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Критические заметки |
401 | 171 |
8 |
21 |
21 |
14 |
14 |
8 |
19 |
14 |
10 |
12 |
10 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
Критические заметки |
1799 | 170 |
9 |
20 |
17 |
14 |
12 |
10 |
18 |
10 |
10 |
19 |
11 |
20 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Мистические настроения в литературе иностранной и y нас |
4213 | 167 |
7 |
18 |
18 |
16 |
20 |
10 |
20 |
14 |
10 |
11 |
10 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
"Петр и Алексей", ром. г. Мережковского. - "Страна отцов" г. Гусева-Оренбургского |
4328 | 163 |
8 |
13 |
21 |
12 |
19 |
10 |
21 |
13 |
11 |
8 |
9 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |